By The Lake
16x20
oil on canvas
After I did "Feathery Pine", which I posted the other day, I decided to take this new brush and toned down palette to a larger format. I didn't use as limited a palette as I did in the study- I think I was up around 10 colours (including white). I really enjoyed working on this one and tried to keep things loose- click on the image to get a better idea of the brush work. I'm sure it could be looser, but it was an accomplishment for me. It's one of the larger pieces I have tackled en plein air, but it was definitely manageable. There was a time when 16x20 seemed so large to me, but now that I have done a few 30x40's this size is no longer as intimidating. When I got it back to the studio and received feedback from the instructor, she suggested I amp up the action in the sky even though the day didn't necessarily look like that. It needed to be a bit stronger to balance the strength of the left side. I totally agreed so I increased the contrasts and activity in the clouds and I am happy with the result. Sometimes you have to just make the painting work regardless of what your subject shows you.
This was a wonderful location to paint. I set up in an Adirondack chair near, but not on, the beach. It was a bit sheltered by the trees, so as the wind picked up it didn't bother me too much. It was so peaceful listening to the water lap against the shore and to hear the bustle of nature around me. Well, to be honest, time may have softened the memory. The bustle of nature I speak of was not particularly calming so much as life threatening! Okay, I might be exaggerating, but you feel another plein air adventure coming don't you???
Again I was happily painting away when I suddenly noticed I was not alone. You know when you hear something darting around, but when you look up, nothing? Well, that went on for a short while and finally I spotted the varmint... a [ninja] squirrel! He had a real glint in his eye that one. He was nothing like the sweetie I told you about in
this post that had a nap on the branch above me at Spruce River. It became clear that I had set up in
his part of the woods as he ran circles around me from tree to tree, up and down, around and around. Eventually, as I continued to paint, he realized he wasn't going to spook me that easily, so he got down to the business of collecting pine cones. Here is where it got interesting.... he would shoot up a tree and then drop little pine cone bombs all around! You could almost hear them whistle through the air before they,
thwack!, landed! Then he would zoom down, grab them and eat them on a nearby rock while staring at me with the evil eye. It was H-I-L-A-R-I-O-U-S! It was funny because he could have been a cartoon the way he acted and ate. He sat on the rock shredding through the pine cones faster than anything I've ever seen before. Literally pieces and bits were flying everywhere as he spun it around in his little paws.. feet?...hands? What do squirrels have anyway?
Here is a photo of my evil little companion. Just look at the debris on that rock! He never did hit me with a pine cone bomb, but I was definitely picking bits of bark and twigs out of my hair from when he was racing around on the branches above me!
Okay, just a bit more to show you from my course at
Emma, so I will do that in my next few posts, then I am excited to show you what I have accomplished at the studio back in town. I'm working on some larger pieces for my show at
Moka.
