Sunday, May 14 - Mother's Day Tea Show and Sale: taking place at Studio On 20th from 12-4p.m. Our studio will be open to the public on this afternoon to exhibit the most current work by artists Bridget Aitken, Nicki Ault, Kathy Bradshaw, Jan Corcoran, Ann Donald, Jane Harington, Miranda Jones, Brenda Kennedy, Karen Maguire, Amira Wasfy and Carol Wylie. We are located at 236A 20th Street Between Aves. B and C (door to the left of the Odd Couple restaurant).

November 10, 2016: I was interviewed by Daily Paintworks as their Spotlight Artist for a week! Read my interview on the DPW News blog!

Ongoing: my 8x8" original oil paintings are available exclusively at Darrell Bell Gallery in Saskatoon. For a limited time several of my large oil paintings are also available at
their new street front gallery on 21st Street (formally Lifestyles By Darrell Bell Gallery).

Ongoing: a selection of my larger work is available at The Black Spruce Gallery at Northside on Highway 2 just before the turn to Christopher Lake.

Friday, May 29, 2015

Hydrangea Arrangement

Hydrangea Arrangement
19.5 x 13"
acrylic, oil and oil pastel on terraskin paper
© Nicki Ault, 2015
sold

I am getting really excited. The show for Hues Art Supply goes up on Monday. Here is the first painting I have to show you. This is the second exhibition of work I will be showing with my friends Bridget Aitken and Jackie Miller. In planning for the show the goal was that we try something new and push ourselves out of our comfort zones. We ended up focusing the theme on still lifes. Jackie and Bridget, as it turns out, are much more adaptable than me. I struggled with the change from my landscape routine. To be honest, I actually find still lifes to be a bit of a yawn-fest. Despite this, I rallied and decided to add flowers to the table of pottery, books, vases, fruit, onions and other inanimate objects that we set up as still life vignettes at the studio. As soon as that pop of colour was added to the mix I began to get inspired.

Besides the challenge of a new subject, I found other ways to push/torment myself. I painted almost exclusively on paper surfaces, I worked solely on rectangular formats when I am more accustomed to painting on squares, and I mixed up my media. Some of these experiments didn't make the cut, but others had some pleasing qualities.

Through the self-doubt and struggle that took place in preparing for this show, I realized yet again how much I have to learn about painting and creating. The way I see it, it is better to know this than to not know this. I feel empowered. I feel like I can't help but move forward in my art-making because I am open and ready to try. I am willing to take a chance. I am willing to see what might happen if I step into the unknown. But I also know myself and I have observed the way I fight change and worry desperately about failure. I am coming to realize that, for me, these things go hand-in-hand. I don't think the desire I have to improve, grow and develop can exist in a pure state. Where this desire exists, in the background will always be some element of stress and agony; the fear of not actually being able to improve, grow and develop. 

2 comments:

Barbara Muir said...

Hey Nicki Girl Hey! This is awesome. Still life arranged in a box and lit, then painted photographically might be a yawnfest (but I've seen beauties), but this. This is soooooo wonderful.
So full of life, and what your anxious self doesn't know about you art. Your art. Your eye not someone else's is magnificent.
Orginal. The best.

XOXOXOXOXO Barbara

Nicki said...

Thank you kind Barbara. You make me blush. I am glad you like the way I interpret what I see.

XOXO Nicki